Pixologic ZBrush – high polygon modeler


I knew ZBrush for some time, although I am not using it I am frequently asked where to get this program or even how it’s name is. So I put it on here to find it in the future.

“ZBrush 2 is a huge leap forward in speed, performance and technology. Modeling, texturing and painting features have all benefitted from unprecedented code enhancements. New tools and options provide even more versatility in all areas, boosting the artist’s productivity and streamlining workflow in surprising ways.

Z2 is fast. It boasts handsomely optimized code innovations, combined with unique features, providing more power to create models with unparalleled detailing capabilities. Even medium- to high-resolution models respond instantly to sculpting actions, constantly rendered and shaded in real time.

Building on the freedom to sculpt high-frequency details with ease, Z2 offers revolutionary new modeling, surfacing and texturing techniques, while intuitive controls focus these powerful resources on the creation process.”

The results are astounding. In just minutes you can create impressive high polygon meshes.

Source: http://pixologic.com/home/home.shtml

  1. #1 by paintings on October 18, 2005 - 10:56

    History painting, as formulated in 1667 by Andre Felibien, a historiographer, architect and theoretician of French classicism, was in the hierarchy of genres considered to be the grande genre. History paintings included paintings with religious, mythological, historical, literary, or allegorical subjects–they embodied some interpretation of life or conveyed a moral or intellectual message. The gods and goddesses from the ancient mythologies represented different aspects of the human psyche, figures from religions represented different ideas, and history, like the other sources, represented a dialectic or play of ideas. For a long time, especially during the French Revolution, history painting often focused on depiction of the heroic male nude; though this waned into the 19th century. In the mid-nineteenth-century there arose a style known as historicism, which marked a formal imitation of historical styles and/or artists.

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