the Google Cultural Institute

A very interesting find that I wanted to blog about for a while now – loads of stuff to read and watch through – let it be art or history.

“Google has partnered with hundreds of museums, cultural institutions, and archives to host the world’s cultural treasures online.

With a team of dedicated Googlers, we are building tools that allow the cultural sector to display more of its diverse heritage online, making it accessible to all.

Here you can find artworks, landmarks and world heritage sites, as well as digital exhibitions that tell the stories behind the archives of cultural institutions across the globe.”

[youtube]https://www.youtube.com/watch?v=LzMXbvBsALo[/youtube]

Source 1: http://www.google.com/intl/en/culturalinstitute/about/
Source 2: D-Day

A lot of Whisky videos – and a tutorial how to cut videos on the command line

For just shy of 2 years I am a fan of whisky. After I got the hang of the processes, tastes and smells around this spirit I started collecting them – collecting to drink them eventually.

Now there are a number of shops you can buy good quality whisky from anywhere in the world. One of which happens to be located in germany. This shop is not only offering a huge choice but also a cross-sellers dream: tasting and explanation videos beneath many of the whiskys in which a very talented Mr. Horst Lüning tastes and explains all things whisky.

Now this shop hosts all videos on YouTube. Since I am a big fan of podcasting and internet based entertainment it’s a great thing that because if my little tool called “YouTubeFeast” all new episodes and tasting videos get downloaded automatically. Till today this way I’ve got well over 650 whisky tasting and explanation videos downloaded.

Bildschirmfoto 2013-03-01 um 20.46.32

As a matter of fact this is a really entertaining and educating series I even would pay to get access to. But that aside every video which got automatically downloaded usually looks like this (german audio):

As you can see there’s a short intro (8 seconds) and an outro (29 seconds) which every single video starts and ends with. Under normal circumstances there are two occasions when I have those videos played.

  1. When I want to look for a particular whisky and get an overview of how it’s going to be like.
  2. For over 12 years I happen to have a “nights playlist” – a playlist of things that are played back during the night – every night. For this it’s important that it’s mainly speech, very normalized audio and of course it needs to be interesting.

So for the second reason it’s important that there are not too many audio bumps and breaks. Unfortunately as much as I like the intro and outro music it’s actually very bass heavy and as such sleep interrupting sometimes… So just like when a good newmake spirit is distilled the start and end run need to be separated by the heart that makes up the spirit.

Every 4-6 months I take all newly added videos and cut them down and add them to the nights playlist folders. The process is like this:

  1. Rename them: Remove the following things from the filenames
    “Whiskey Verkostung – “, “Whiskey Likör Verkostung “, “Whiskygläser “, “Whisky-Verkostung – “, “Whisky Vorstellung “, “Whisky Verkostung “, “Whisky Verkosten “, “Whisky Tasting – “, “Whisky Tasting “, “Whisky Likör Verkostung “, “Whiskey-Verkostung – “, “Whiskey Verkostung “, “Whiskey Tasting – “, “- ”

    To rename the files I am usually using the freeware tool Rename Master – it’s awesome!

  2. Cut the intro away.
    This best done with a simple ffmpeg command:

    ffmpeg -i $inputfile -ss 00:00:08.0 -acodec copy -vcodec copy $output

  3. Cut the outro away.
    Using a little shell script it’s fairly easy to first get the full length of each video file and then using another tool to substract 29 seconds from each length and cut the heart out until that length is reached.

    To get the length the following short line is doing a great job:

    ffmpeg -i “$1” 2>&1 |grep Duration | cut -d ‘ ‘ -f 4 | sed s/,//

    In order to then cut the video before the outro starts it basically is a another call to ffmpeg:

    ffmpeg -i $infile -t $calculatedlength -acodec copy -vcodec copy $output

That way you get just the tasting videos without intro and outro – ready to be enjoyed. For the end of this article I want to stress the fact how awesome I think those whisky videos from Mr. Lüning are. It’s awesome to watch and learn. I hope that those videos will be available for more years to come! Cheers!

Source 1: http://www.joejoesoft.com/vcms/108/
Source 2: http://www.whisky.de

automation to the people: download YouTube videos automatically

You know that: You have just stumbled upon a great and informative YouTube channel. It’s full of videos you would like to watch but to do that you need to have internet access in any case. And of course that internet access needs to be as fast as possible to cope with the video quality you would like to watch.

If only it would be possible to download a video from YouTube, store it locally and watch it whenever you got the time. Maybe you want to take that video with you on that great, internetless self-awareness trip…

Now there are a lot of tools that allow you to download YouTube clips manually. I used BYTubeD for that purpose. It is a nice and easy to use Firefox Add-On which can be started whenever a YouTube video appears in any page.

After you’ve started into BYTubeD you can select which of the videos on the page you would like to download and what quality you would like to get.

All this works very well if you only want to download something once every while. Problems come up if you want to download regular postings…

I’ve subscribed to several – to me – very interesting YouTube channels. These get updated almost every day. The only option for me to keep track with them is to take the time, surf YouTube and use BYTubeD to download manually if there is anything new. Now this was a waste of time for me so I automated it.

I wrote a small tool I call “YouTubeFeast” – because it allows you to feast on YouTube… yeah I know. Now this tool is designed to run on a linux or windows machine in the background and scan in configurable intervals for new videos. If it finds new videos it downloads them in the quality you pre-configured to a folder you configured. It couldn’t be easier.

It’s open-source (GPLv2) and I’ve made it publicly available on GitHub. You can even find a pre-compiled binary version there which is ready-to-run.

The configuration file “YouTubeFeast.configuration” is a plain and simple text file. Use your favourite text editor and obey some simple rules:

  • any line beginning with # is a comment
  • any line not beginning with a # is a download-job
  • any download job consists of the following, tabulator separated parameters:
    • the URL of the video page / channel homepage / overview
    • the desired quality (360p, 720p, 1080p)
    • the path to store the videos
    • the interval (in hours) to check for new stuff
  • don’t forget: tabulator separates parameters (take a look into the example configuration file…)

After configuring the only thing you need to do is to start YouTubeFeast. It will then go through all the jobs and download video files – as soon as it comes across an already downloaded file it stops that specific job.

That’s all about it. If you got any comment or suggestions for improvement please let me know.

Source 1: https://github.com/bietiekay/YouTubeFeast
Source 2: Download YouTubeFeast-March2013

Sintel:

After the last Open Movie Project “Bug Buck Bunny” – Sintel is the next short movie available for free download. Get it here.

“Sintel” is an independently produced short film, initiated by the Blender Foundation as a means to further improve and validate the free/open source 3D creation suite Blender. With initial funding provided by 1000s of donations via the internet community, it has again proven to be a viable development model for both open 3D technology as for independent animation film.
This 15 minute film has been realized in the studio of the Amsterdam Blender Institute, by an international team of artists and developers. In addition to that, several crucial technical and creative targets have been realized online, by developers and artists and teams all over the world.

“Sintel” commenced in May 2009, with producer Ton Roosendaal establishing a core team consisting of Colin Levy (director), David Revoy (concept art), Martin Lodewijk (story) and Jan Morgenstern (composer). In August script writer Esther Wouda was approached as a consultant, which resulted in her taking the responsibility for the entire screenplay. Esther then worked in close cooperation with Colin, David and Ton to deliver the final script early November. Meanwhile, Colin and David realized the first storyboards.

Based on a public call for artists – with over 150 respondents – the Durian artist team got established in July 2009. They first met in a pre-production week in Amsterdam in August, and all decided to join the project per October 1st. With the final movie budget still unknown, the target then still was to finish the film within 7 months, with a team of 6 artists and 2 developers. At that time the team still had the hopes to be able to realize the script in a 6-8 minute film.

In november, the Netherlands Film Fund approved on a substantial subsidy for Sintel, enough to extend the project to 10 months, with possible 1 or 2 extra artist seats in the final months. It was also by this time that breakdowns and animatic edits showed that the script had to be revised to become more compact, with a story structure using a flashback.

In the months after, Colin’s work on the Director’s Layout – 3D animatic shots – and final designs on the grand finale gradually made the movie longer, from 9 minutes in november, to almost 12 in May. Proper story telling, to absorb an audience with convincing characters and action just takes time!

With the highly anticipated extra funding from the Amsterdam Cinegrid – also funding a 4k resolution version – Ton finally could extend the team with 5 artists and a developer in March 2010. With 14 people the film then was completed for a first screening on July 18th in cinema Studio K in Amsterdam.
Three artists then stayed in Amsterdam working on final shot edits, lighting design, compositing, and on the impressive 2 minute film credits. The movie ended up with a total duration of 14m:48s, 888 seconds!

Watch it now:

Sintel

Source 1: Elephants Dream
Source 2: Big Buck Bunny 
Source 3: Sintel
Source 3: Sintel Download

Nine Inch Nails – another version of the truth – fan blu-ray release

“12 months,
a core team of dozens (with a network of thousands)
spanning 3 continents,
4 languages,
5 specialist teams,
countless sleepless nights…

It’s finally here.

Filmed in Sacramento, Portland, and Victoria by the Nine Inch Nails team, edited and produced by their fans, The Gift is a stunning work in 1080p High Definition video with 5.1 Surround Sound, multi-language subtitles, and artistically-driven ethics.”

You’re reading it right: the final production is ready to be downloaded. I am downloading it right now.

Capture

It’s a complete Nine Inch Nails live concert in full-hd. Free for all / Not for sale. Get it while it’s hot!

Source: http://thisoneisonus.org

One step closer to digital nirvana…

Thanks to a podcast I found a great software for my iPhone and iPod touch. It’s a small tool which does cost less than 3 Euro and it’s served by a server tool which runs on Windows and Mac OS X.

It’s called Air Video and it’s frikin’ awesome! ™

What you do is you install the server software and point it to all your directories / drives that might contain video material. You then take your iPhone and install the client app. If you configured the server to be available over the internet you can now connect from anywhere you want using a pass-pin (which is generated) and a password (which is set by you). And by “from anywhere” they mean “anywhere”. WLAN or 3g didn’t make any difference in my test. You start the client, point to a video file and most of the time you are asked if you a) want to directly play is (if the file is ipod-compatible) or b) if you want to live-convert it and play it (when the file isn’t compatible and needs to be re-encoded live for you) or c) if you want to add the file to a conversion queue which will off-line convert the video for you.

In terms of “finding your video” it does look like this:

Air Video

Simple, eh? Taping a video will bring up this screen:

IMG_0388

As I said – Play directoy, Play with Live Conversion and Offline-Conversion-Queue…

It did work with EVERY Video I tried. When I tried Full-HD Movies my serving PC wasn’t able to handle the load but everyhing in SD worked great which is perfect for me.

onwindows

Therefore I can highly recommend this tool – it really does work better than anything I’ve seen before.

Source: http://www.inmethod.com/air-video/index.html

BOMB IT

It’s been quite a few years (since 2005) when elGono came up with the “Obey the Giant” stuff.

This campaign was subject (not only this campaing…) to a documentation called “BOMB IT The Movie”

BOMB IT BANNER1

“Featuring street artist and top graffiti writers from 5 continents the acclaimed documentary.
Bomb It is the first film to update the story of graffity with a truly international perspective. Each month we will presenting portraits of the artists from around the world in never before seen footage and interviews.”

You can watch the whole documentation online now! For free!

Source 1: http://www.babelgum.com/bombit
Source 2: Obey the GIANT

HandBrake is now a full blown video converter…

Turns out that a new snapshot (unofficial) version of my favourite DVD to iPod Converter is available. With the new version came new features like the one that allows me now to convert almost anything to wonderful iPod compatible movie files.

handbrake093

“HandBrake is an open-source, GPL-licensed, multiplatform, multithreaded DVD to MPEG-4 converter, available for MacOS X, Linux and Windows.”

I tried anything in my library, including some matroska movie files. Just everything worked – amazing!

Source: http://handbrake.fr/?article=snapshot

Radioheads “House of Cards” music video + raw data released under CC license

I seriously don’t know why they are doing that – it’s not as if any material released previously came to any notice so far – but what the heck – Radiohead decided to put their current music video (which isn’t bad) and the raw data that was used to create it to the public using the Creative Commons license:

“The animation data used to make the video are licensed to the public under a Creative Commons Attribution-Noncommercial-Share Alike license at Google Code. This means you are free to use the data to make your own video projects, as long as you abide by the CC license’s conditions. (To be clear, the song and its accompanying video are not under CC license; the data used to make the video are.)”

houseofcards_radiohead

Source: http://code.google.com/creative/radiohead/

Xbox Media Center for OSX renames itself to PLEX

It’s not as many of those fance company-blogs like gizmodo have written: not the Xbox Media Center project (which makes XBMC for Windows, Linux, Xbox 1 and OSX) renamed itself – infact only the fork of OSXBMC renamed itself to PLEX.

“The one name that stuck was Plex. I like it because it evokes “cineplex” and the suffix means “comprising a number of parts” which the application certain does. In mathematics, you use the suffix to mean “ten to the power of the number” (e.g. oneplex = 10).

Because there are no four-letter domain names left (seriously, try to find one!) we decided to square the plex, so to speak. Think of either plex^2 or plex squared (the beta logo below tries to connote the word “plex” inside a square that might represent a TV screen). The domain names are plex2.com, plexsquared.com, and plexsquare.com for good measure. They are not active yet.

In the coming days, we’ll be working on the rebranding process, including the application packaging, logo, web domains, etc. In the longer term, we have some exciting things in the skin department as well. Stay tuned, and thanks for all your support; we really are lucky to have such an great community.”

Along with the new name comes a new logo:

plex2

Source: http://www.osxbmc.com/
Source 2: http://www.plex2.com

the next creative commons rendermovie is available: Big Buck Bunny

It’s made entirely with free software and released under the creative commons license: Big Buck Bunny is the name of the brand new short movie made with blender, inkscape, gimp and more.



“The Amsterdam based ‘Blender Institute’ announced today the premiere of the short 3D animation movie ‘Big Buck Bunny’. After a production period of over six months, the short film will premiere with a grand party on Thursday 10th of April, in the hip new Amsterdam cinema ‘Studio K’.

“The primary intent of the movie was to stimulate the development of open source 3D software” said producer and Institute director Ton Roosendaal, “But the result equals on artistic level as well as on technical ingenuity the quality of what you would expect from large animation studios”.

The movie differentiates itself mostly by its totally open character. Not only open source tools such as the 3D suite ‘Blender’ were used to create the movie, but also the movie itself – including all materials as used in the animation studio – will be freely accessible for everybody to reuse, to learn from it or just to enjoy it.

The promotion of Open Content creation and distribution is one of the main goals of the Creative Commons, the organization that created the ‘Creative Commons’ licenses, which have been widely adopted by artists, musicians, and other creative individuals who wish to freely share their creative endeavors. Blender Institute in Amsterdam is one of the first companies worldwide exploiting Open Content professionally and commercially. Currently 14 people are working full-time in the Institute, wrapping up Big Buck Bunny and working on an Open Game based on the characters from the movie.

Big Buck Bunny is a comedy about a well-tempered rabbit “Big Buck”, who finds his day spoiled by the rude actions of the forest bullies, three rodents. In the typical 1950ies cartoon tradition Big Buck then prepares for the rodents a comical revenge.”

Source 1: http://www.bigbuckbunny.org/

Review: Speed Racer

This past Saturday I had the rare pleasure of being the exclusive attendance (along with a friend) for a screening of the movie “Speed Racer”, the new one from the Wachovski Brothers.

speed-racer-logo

To cut it short – it was a 135 minute cotton candy eye overload. Some nice actors (with cameos of German actors), but nothing real and therefore nothing of deeper interest.

Like rumored before in Hollywood: This movie has the aura of a big flop. My experience now confirms that.

Jens Heymann

Count the bodies

The most (in)famous action-flick of movie history now has its third sequel, but nowhere a company producing a proper first-person shooter? It’s kind of strange that nobody seems to be interested in picking up a worldwide-known character.

rambo4 

Is it too much guilty pleasure? Too much far-right, political incorrect or just old-fashioned? Maybe it’s the lack of box-office in the US. Or simply no licence is available.

Anyway, back in the Reagan-era these concerns didn’t exist.

rambo_title

rambo_ingame

The 1985-game with a well-known score by Martin Galway was a huge bestseller.

Jens Heymann

Pay it twice

When today the movie “Earth” aka “Unsere Erde” starts in cinemas around the country you may have the chance to experience something very special: a real cinematic déjà-vu.

erde_big

Let me explain how:

What many people don’t know for sure: This movie is a best-of of the same-named TV-series previously aired on ARD some time ago and after that on other public stations. So if you are an avid documentation-watcher you are going to pay for something already seen (and maybe even stored at home, not to mention the monthly TV-fees…).

The original series contains eleven episodes of 45 mins (Uncut 48 mins, BBC-airing). It’s not difficult to sum up and recognize what’s missing (of course) in the movie-version.

You still may say: But I wanna enjoy it on a big screen with a crowd and once in my life it’s ok paying for old stuff.

Then I better say nothing about “Deep Blue”…

Jens Heymann

The road to the Oscars…

seems to have a nice blot somewhere this year. They really nominated “Norbit”. It’s only one nom and in a lower category, but with such decisions the Academy does itself no service.

norbit1_large

At least the counter award – the Razzie – is on track as every year. This time they cracked down on the it-girls. Lindsey Lohan (of course), Jessica Alba (earned) and Jessica Biel (assumed) all got their nominations. Personally I would have added Megan Fox and some others, too.

Jens Heymann

"Shooter" – A man like Rambo

Praised by the critics I was eager to watch this movie. Afterwards I can say that it’s not sophisticated compared with all those other action flicks.

200px-Shooter_poster

Mark Wahlberg plays a gifted sniper who gets cheated and consequently seeks revenge. Now bullets and bodies are flying around.

An interesting setup ends in standard-type action. First Wahlberg gives us some nice knowledge about sniping, but then he just mows the enemies down in series. Neither big psychology nor character developing. That may be the purpose of the movie, but it is nothing special anymore this way.

If you combine the terms “star-vehicle” and “drawing board” you know what’s behind of this production. Mark Wahlberg “is doing a movie” instead of “a movie that features Mark Wahlberg”. The lead actor is simply more important than the script.

Next you have Michael Pena as the (usually funny) sidekick who delivers the cues to the main actor. Kate Mara serves as the nice-to-look-screaming-must-be-rescued female with merely 20 mins of screen time and nothing much to say.

The only things elevating this film a little bit are the not so meaningless intro action sequence and the zero-tolerance finale. Overall too straight to be outstanding.

Jens Heymann

300 – "Stranger, tell the Spartans…"

One of the most spectacular and grossing movies of ’07 and finally I have seen it, too. Last spring people invaded the cinemas like the Persians Greece, spent some money and went home again.

300

The story of the 300 mighty Spartans, who defended a narrow pass against the superior numbers of Persians until death should be familiar to everyone around. Also uncontroversial are the well-made CGI-backgrounds as well as the entertaining ability of the whole thing.

But:

Is it pro-Bush and assists on his war in Iraq or (possibly) against Iran?

A clear no, because too far-fetched. There are no politics in it. The big box office is also no indication of a widely hidden pro-war predisposition among American viewers. I guess, it’s rather the recent popularity of Frank Miller and his comics.

Is it fascistic?

That is a typical European critic, but the martial quotes and looks are fortunately paired with just as much irony. Lastly, the Spartans lived this way despite some SS-like “blood and honor” jabbering.

Is it really better being a “free” Spartan than a “slaved” Persian?

My impression was the Persian acted much more like the so-called decadent occident. Lots of tolerant and hedonic people, who didn’t get discriminated because of their religion, looks and behaviors, or? Xerxes didn’t deny the wishes of Ephialtes, e.g. The Spartans by contrast with their euthanasia and their strict living kept unfamiliar to me all the time.

Millions of Persians?

This is of cause pure fiction. How can someone supply such an amount of soldiers even only one day? The whole Persian food production would had to accompany them.

Are the Arcadians cleverer than the Spartans by withdrawing from the lost battle?

I would say yes, and there you see why a civilian might be a lesser tough warrior but superior when it comes to thinking.

Let’s hope (for the sake of mankind) that nobody in the world (especially the thin-skinned Iranians) takes this comicesque movie at face value.

Jens Heymann

Battle before Christmas – Appendix

What happens when something rare gets rarer – you’ve read it an article below. But it’s also interesting to watch what happens when the fate twists to the opposite – a “strictly” limited edition gets a second one.

afd936c622a0b21a3e253110._AA240_.L

Limited Edition of 300, first release

That took place in context with the Limited Edition of “300”. Every fanboy and collector got his copy and had been happy, proud and (I guess) felt also a little bit arrogant – what a great divinely thing he owns and others not.

51zvZEMgORL._AA240_

Limited Edition of 300, second release

Now everything is different. The big exclusiveness has gone. More fanboys can have their limited edition and doesn’t need to feel inferior any longer. Additionally this new version is different from the first one.

The reactions?

The previously exclusive owners of the first limited edition moan, that it’s only a rip-off of customers. In reality they are annoyed about spending much money for something (perhaps via bidding or third-party usury) that simply was not worth it.

All the other ones are happy and satisfied.

Jens Heymann

Battle before Christmas

So maybe you are on the ever cruel pre-Christmas present hunt. And maybe you have to satisfy some wishes for DVDs. Usually you have a great choice because there are often many new items available for the Christmas sale. But the case gets serious if you are looking for the special one – the brand new 5-disc Blade Runner Ultimate Collector’s Edition.

51yXAKOJP L._AA240_

Fans have been waiting for years for this to come. Consequently the huge response and the fast sell-out. In recent days I have been witnessing the price-development, a fine example of how the mechanisms of supply and demand work:

Amazon.de offered the set for 43,95€ on its web site. Many bought. Some marketplace and ebay-activities for about the same price or slightly below.

Then the sell-out. What happened?

1. No more primary supply, but plenty of demand left.

2. Amazon-marketplace increases the prices to an average of 90€.

3. Hefty ebay-auctions for about 70-100€.

Suddenly, Amazon is back in the game – again for 43,95€

4. The marketplace prices collapsed to 42€.

5. Analogously the offers at ebay.

It’s sell-out again, because the sudden availability was due to cancellations.

6. Quickly every item below 60€ is gone from the marketplace – the rest now in the 90€-range.

7. Adjustments also at ebay – biddings exploded.

The end of the line? Well, we learned that DVDs can be traded like shares at the stock-exchange. All you need are enough panic people who want the same thing under their Christmas tree. And we didn’t even take a look at the LIMITED Blade Runner set.

Some information by the way if you are considering a buy:

– It’s a patience game. Wait until after Christmas (OK, this would be too late for Christmas itself.).

– Look at the UK: Half the price and with German audio track (except the workprint).

– Look at the US: Even cheaper and every edition available (English only).

– The 5-DVD set is NOT limited. There will be a new release soon next year.

– Watch your other DVDs first.

Jens Heymann

udp multicast to tcp unicast proxy and vcr updated..(YAPS)

Today I am releasing a current build of YAPS to give you the chance to take a look at it during the development process. There are a number of new features and bug fixes in this version, the most noticable enhancement is the brand new user interface:

One of the new features is the Space-Usage-Bar:

For a complete overview of all fixed and added things, take a look at the changelog below. Everyone who is waiting for some particular feature to be implemented: it’s on the list and soon in YAPS. Everyone who wants to see a feature in YAPS which isn’t there or planned, please comment this article and tell me what you would like to see.

changelog:

31.08.2006

  • fixed a bug in the HTTP Processor where only lower case AddRecording calls were accepted
  • added ManageRecording function call to the HTTP Processor to allow better TVBrowser Integration (remove should work now) (added type=add or type=del)

30.08.2006

  • fixed a bug that caused the HTTP server to malfunction

29.08.2006

  • added Recording PlayCounter which shows how many times each recording was downloaded or streamed directly from the YAPS server
  • fixed a bug that caused a crash when a wrong formated URL was requested…
  • changed the default port to 80
  • fixed a bug in the RecordedList TemplateProcessor which produced not working Streaming URLs
  • fixed some of the html templates
  • added some more data fields to the recording data structure (activated)
  • added a simple sorting algorithm (Sorter.cs) used for RecordingTable and DoneRecordingTable HTML Template Processor Rendering
  • added a resume-streaming feature: Once you started streaming and stopped, YAPS resumes at the last position you stopped it; the next time it starts at the beginning of the recording

25.08.2006

  • changed file information of the YAPS assemblies…
  • added addrecording.html (new design)
  • added default page when / is requested
  • added some commented-out extensions to the Recording Data structure; to be activated when a Recording File Converter is available

23.08.2006

  • added addrecording.html to the Design Project (to be updated soon)
  • added TVBrowser (tvbrowser.org) Capture Plugin Definition File (YAPS.tcf)
  • mono compatibility in TemplateProcessor.cs via Mono.Unix.UnixDriveInfo
  • better recognition of the mountpoint for the videodirectory
  • fixed some bugs in HTML Templates where Firefox had some issues with the top toolbar of all pages (ello)
  • added live-streaming support for recordings, should be possible now to read recordings while recording…
  • added blue bar to space usage bar – blue bar shows how much space would be used when all recordings are done successfully
  • added blue bar and exclamation mark graphics
  • minor todo addition to TemplateProcessor.cs

22.08.2006

  • first checkin
  • import in MonoDevelop
  • fixed path-bug in http.cs
  • added MonoSocket.cs for better compatibility betwenn mono and microsoft
  • modified multicast_vdr.cs to use the MonoSocket class in case of mono (define preprocessorvariable “MONO” in case of compiling for mono)
  • fixed the /vcr/AddRecording Encoding bug which created some weird recording names
  • fixed the warning in MonoSocket
  • added console page
  • added help page
  • added percentage bar template keyword and html generator
  • finally fixed the UTF8 URL Handling

Download the current build: YAPS310806.zip (577,92 KB)

Read on: udp multicast to tcp unicast proxy extended to be a vcr

udp multicast to tcp unicast proxy extended to be a vcr…

Some weeks ago I wrote about that UDP to TCP Proxy I wrote. And since I am mainly using it for DVB-S tv watching I always wanted it to be a VCR as well. So I extended YAPS to be a VCR.

At the moment I am redoing the Web-Interface of the VCR to give it a shiny and sleek finish, but in the meantime I want to give you the chance to take a look on YAPS+VCR in action, and of course an even deeper look into the sourcecode:


this is the “Add new timer…” screen

this is the home page of the vcr…showing one programmed timer..

So apparently some things happened the last days. I would appreciate any comments on the application and the sourcecode. So feel free to download and use. I am releasing it, as usual, under the BSD license.

You can download the sourcecode here: YAPS12.zip (375,35 KB)

Source: udp multicast to tcp unicast proxy YAPS revisited…and bugfixed

Mystery Science Theater 3000 is sort-of back…

“Mike Nelson – the comic genius behind MST3K – has launched a new site called RiffTrax, where he provides an audio commentary track to mainstream films that you can download and listen to while watching the movie.”

For just $1.99 (beta pricing!) you get a commentary track for a growing number of movies…really really great stuff.

Source: http://www.rifftrax.com/index.php

Weizenbaum. Rebel at Work.

Peter Haas and Silvia Holzinger did a film called “Weizenbaum. Rebel at Work.” and I think you should hear about it:

“The film spans 8 decades of Joseph Weizenbaum’s life. It provides a stage for his humorous narrative depicting a World of Yesterday while reflecting on the dawn of the computer age. It follows 83-year-old Weizenbaum on some of his numerous public lessons, effortlessly entertaining overcrowded lecture halls.

The old man is an up-to-date chronicler, a chief witness against militarism and the myths of technological progress, but he remains a modest, funny and most reflective story teller.”

It’ll be available in german language in august and later this year in english.

Source 1: http://www.ilmarefilm.org/W_E_1.htm (english)
Source 2: http://www.ilmarefilm.org/W_D_1.htm (german)